Archive of ‘Portrait’ category

Light Modifier Reflections – Tech Thursday

Musician Portraits

I have been doing a lot of great portraits lately! Luckily for me, the people that have been in front of the lens have been great subjects. It seems like it would be easier to have a person giving you all the attention for the photograph. Compared to event or dance photos where it is more up to me to catch a great image. Making portraits is a different challenge. It is a true collaboration with your subject that needs input from the photographer to make it happen.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box light modifier – ©TimeLine Media

Studio Portrait

This setup on a black background was at the suggestion of the subject. The easiest way to have the most control over the light is to use a strobe to light a subject with the dark material as a backdrop. For this, I used a Nikon Speedlight firing through a Westcott Rapid Box Octa. The flash was triggered with the FlexTT5 from PocketWizard. The great thing about these triggers is that they use the TTL ability built into the Nikon camera body. Thus the computer in the flash will set the power. This is different from shooting with moonlight strobes that I typically use as those are set manually. But for this, the TTL worked very well as I setup the flashes, so I kept using them so that we could change backgrounds, and setups quickly as needed.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box light modifier – ©TimeLine Media

When photographing people with clear eyeglasses, it is not typical that you would want to have the light reflected from the glass. With sunglasses, and the kind of photos we were making here, the reflection actually turned out to be a nice element to the face!

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box – ©TimeLine Media

I did make images that also did not have the reflection so that the subject would have options. In case the later use of these images would not work with the octagonal light reflection, we had both in the can. My favorite, was when he just moved the glasses above his eyes so we could see underneath – this was the best of the session in my opinion.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Simplifying Backgrounds

Dachshund on driveway - ©TimeLine Media

The rules of composition for photography mirror the rules of composition for writing. If you think back to writing class, the best stories are ones where the subject is clear. All of the distracting elements of extraneous words, or descriptions that do not directly contribute to the narration. The same is true in photography. In an image, you have a subject, and the surrounding foreground and background. When composing images, simplifying your background will make your subject stand out, and will generally make for a stronger photograph.

Seagull at the end of the pier - ©TimeLine Media
Seagull at the end of the pier – ©TimeLine Media

When I am working a scene, I am always conscious of the background when placing the subject in the frame. If there is an easy way to position myself so that I can anticipate where the action will pass through an area with a non-distracting background that is where I will position the camera. In the seagull on the pier photos, the distant shoreline is far enough away that it is out of focus. It helps that the bird is tilting his head in a funny way!

Seagull at the end of the pier - ©TimeLine Media
Seagull at the end of the pier – ©TimeLine Media

To further simplify the image, I moved in closer to the bird, and zoomed in as far as it would go. This removed the dark green line of the shoreline, and makes the background only two colors – the water and the pier planks.

Seagull at the end of the pier - ©TimeLine Media
Seagull at the end of the pier – ©TimeLine Media

In another scene this dachshund was walking on a sunny driveway. With lots of cars, trash cans, toys, and other distracting things in the area, I waited until she moved to a clear area before making the exposure.

Dachshund on driveway - ©TimeLine Media
Dachshund on driveway – ©TimeLine Media

At the recent fashion show, having a nice clean “step and repeat” background covers up the storefronts, and other people in the area. You can help separate the subject by waiting until the model is at the end of the runway which is as far away from the back as possible, and opening the aperture as far as it will go before releasing the shutter. Now, the clothes will easily draw the viewer’s eye due to the brightness and sharpness of the subject.

Fashion Show - ©TimeLine Media
Fashion Show – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Stalking A Seagull

Seagull on pier - ©TimeLine Media

Looking through my photo portfolio, you could say most of my assignments have a lot of action. From ballroom dancers to weddings, and even to fashion shows. There is always a lot of movement and a sense of excitement – at least that is what I am trying to convey in my photos. This post is about an encounter I had with a bird. You would think that this again would have lots of movement, and trial and error to get a sharp image. But it turned out to be one of the calmest subjects I have had in a while.

Shore Bird

Seagull on pier - ©TimeLine Media
Seagull on pier – ©TimeLine Media

This bird was sitting on the pier near where we were grilling dinner. Although there are usually a flock of seagulls (insert music pun here) in the area, this one gull wanted to see what we were doing. It kept a good distance making sure we were not coming after him in a threatening way. So I thought that I could get close for a nice shot.

Seagull on pier - ©TimeLine Media
Seagull on pier – ©TimeLine Media

As I moved closer to the end of the pier, he moved a little further out. He was cautious, but he did let me get close. I tried moving slowly, and as close to the ground as I could hoping that I could move into a better position.

Fluffing Feathers - ©TimeLine MediaFluffing Feathers - ©TimeLine Media
Fluffing Feathers – ©TimeLine Media

The bird really knew that I was following him, so I just stopped about a third of the way down the pier, and moved around his position. Crouching down all produced even better results:

Bird on one foot - ©TimeLine Media
Bird on one foot – ©TimeLine Media

The best results came from putting the camera right down on to boards on the pier. Keeping the aperture open really isolated the focus to the bird. It made the pylons on the side of the pier both in front and behind the bird disappear making for a nice leading line to the subject.

Seagull on pier - ©TimeLine Media
Seagull on pier – ©TimeLine Media

Luckily, the seagull headed to the middle of the pier making for a nice symmetrical composition. I really enjoyed this exercise! After it was clear we were not going to give him any of our barbecue, the gull flew on to find better luck somewhere else.

TimeLine Media – www.timelinedc.com
703-864-8208

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