Posts Tagged ‘flash’

Youth Football Portraits

©TimeLIne Media - football player portrait

Recently, I had someone that was on my email list request that I make some portraits for her brother that plays youth football. It would be perfect for my project for making more sports portraits. I have plenty of action shots from players during games, or dancers during competition, but I want to expand my portfolio of setup portraits where I control more of the lighting, posing, and composition. It is no surprise that trying to get a clean image while the game is going on is difficult.

Football Field Set

Most sports photographers resort to heavy cropping to eliminate distracting backgrounds or other elements that take away from their main subject. When I photograph ballroom dancers, I use additional flashes in order to make the colors better, and to make the settings on my camera little less extreme, but the lighting has to cover a large area. It is not setup specifically for one spot, or subject, so it is much more flat overall. With “D”, the football player, we had an open, empty football field to use. It was a very bright, sunny afternoon, so I had to use an ND filter to knock down some of the light going into the camera to keep a shallower depth of field. Adding some flash to fill in helped to bring him out from the darker background making him stand out.

©TimeLIne Media - football player portrait
©TimeLIne Media – football player portrait

With all the light out there, it would seem to be easy to make this portrait, but bright sun makes for dark shadows. In order to bring some detail back into his face from under his helmet, I needed a flash to fill that in. A flash in a medium-size softbox placed just off camera left brought in enough light to fill in his face, and highlight more of the top of his uniform.

Background Setting

©TimeLIne Media - football player portrait
©TimeLIne Media – football player portrait

We did a few other poses, but this was another keeper for me. The afternoon sun was to camera left, so I used the flash through a softbox on the right to fill in his left side which was much darker. Had the aperture stopped down more than usual for a portrait since I wanted to keep their home field sign in focus. I am always looking for more portrait subjects, and like having the element of sports for props and settings so contact me if you would like to have some made!

©TimeLIne Media - football player portrait
©TimeLIne Media – football player portrait

TimeLine Media – www.timelinedc.com
703-864-8208

Lens Flare and Honeycomb Grids – Tech Thursday

©TimeLine Media - Arthur Murray Tysons Corner professional show

Lens flare is a common artifact of photography. When a source of light shines directly into the lens, you are likely going to have a flare of some kind. There are lots of glass elements in a lens. If there is a strong light source going through the lens, there will be reflections between these pieces of glass which create a lens flare. Here is an example when pointing the lens directly towards the sun:

Working with Lens Flare

©TimeLine Media - lens flare
©TimeLine Media – lens flare

There are little round circles of light going diagonal from the sun in the frame. With better constructed lenses, these flares can be minimized to not interfere too much with your photo. Recently, lens flares have been made a stylistic choice in lifestyle photography. Lens flares can be used in beach scenes, or other sunny settings to emphasize the youthful energy that the photographer is trying to convey. There are lots of apps for your smartphone that all you to add lens flares to your photos if you do not shoot them with the camera at the time! Movies too have used lens flares, and they became a recognizable element in the J.J. Abrams reboot of the “Star Trek” series. You only have to see the trailer to see that he loves to use the lens flares when in space.

Working With Lens Flare

For my photography, I am starting to embrace lens flares in some situations. My ballroom dance photography is flat light for the most part. There is a large floor to cover, and bouncing the light off the ceiling is easier for the audience and dancers from being distracted from the flash. When it comes to the special showcases from professionals, I want to change how they are lit since it is a shorter time period, and I no longer have to share my flash with other photographers. For this show by the Tysons Corner studio, I have an example of where I had a backlight flash directly into the camera for one photo, then quickly turned off the flash for another shot.

©TimeLine Media - Arthur Murray Tysons Corner professional show
©TimeLine Media – Arthur Murray Tysons Corner professional show
©TimeLine Media - Arthur Murray Tysons Corner professional show
©TimeLine Media – Arthur Murray Tysons Corner professional show

I knew where the light was positioned, and if I took one shot, there would be a chance that the directly line of light into the camera may ruin the shot. So I turned off that flash, and took another. Luckily both of them came out! One has a strong back light flash to add another element to the composition, the other more conventional photo. Both are usable depending on what you are looking to display. You don’t want to over use them! By the way, I love the new Star Trek movies.

©TimeLine Media - Arthur Murray Tysons Corner professional show
©TimeLine Media – Arthur Murray Tysons Corner professional show

TimeLine Media – www.timelinedc.com
703-864-8208

Rapid Box Flash on Car

©TimeLine Media - Viper GTS details

After experimenting with my own car, I took my Rapid Box to photograph another, more exciting model, a Dodge Viper GTS. This would be another chance to try the Westcott Rapid Box as my new flash modifier. Photographing car details with this setup is very easy! The portability of the Rapid Box as well a small speedlight means that you can put the flash in a small space and still use some sort of light modifier to make the light softer. This allows for lighter area to fall into shadow nicely which helps to block out distracting elements in garage from being seen in the photo. Combine that with a macro or short lens, and you can really focus in on details.

Details

©TimeLine Media - Viper GTS details
©TimeLine Media – Viper GTS details

In this first photo, the flash allows you to control the light and give it a little shape. The light fades slightly from the top right to the bottom left, framing the letters. The addition of flash instead of using available light means I can hand hold the camera and adjust quickly than if stuck on a tripod. The ISO is also at the lowest setting on the camera meaning the color is still vivid and true compared to higher ISOs.

©TimeLine Media - Viper GTS details
©TimeLine Media – Viper GTS details

Again using a small softbox, you can get soft light in a tight spaces. The light still shapes the area under the flared out lid at the rear above the tail light. This is something that is very difficult to do without a light shaper in front of your flash. All of these photos of the car details can be put into a compilation poster to give an overall picture of the car. You may have seen it in a previous post. Try it with your car and let me know how it goes!

©TimeLine Media - Viper GTS details
©TimeLine Media – Viper GTS details

TimeLine Media – www.timelinedc.com
703-864-8208

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