Posts Tagged ‘flash’

Chasing Natural Light – Tech Thursday

Family Photos

It is no secret that I have been trying to master using flash in a lot of my portrait or people photography. There are so many advantages to knowing how to utilize a small or big flash. It can make you a more versatile photographer with the ability to shoot in more situations than if you only know how to work your camera in available light.

After I got the hang of using my camera in available light, I thought that being able to use flash would separate me from other photographers. I could expand my creativity by adding some technical know-how to making images. In a lot of cases, though, this can be a hindrance. There are more pieces of gear you need to bring with you on a shoot. That additional gear makes for more variables that can mess up your shoot. When that happens, now your attention is on fixing a technical issue instead of interacting with your subjects, and composing a good photo.

Dachshund-in-afternoon-sun-©TimeLine-Media
Dachshund-in-afternoon-sun-©TimeLine-Media

Natural Light Indoors

So in a few personal shoots, I have gone back to try to make better natural light portraits. I’m taking more time to really see the light as it travels around, through, and directly upon subjects. Here my nephew was running around the room with strong light pouring through large French doors that faced the sunset. I needed to time his position just right before hitting the shutter. I found the light to be best right at the edge before he brought his entire body into the full sun. It created a nice light on one side of his face and fell off nicely on the opposite side with a little shadow that still held a lot of detail.

Subject_before_hitting_window-light-©TimeLine-Media
Subject_before_hitting_window-light-©TimeLine-Media

Just a few seconds later, the face is turned away from the sun, and the broad side of the face is more in shadow. To make the exposure equivalent for the two photos, the second has too many hot spots that distract from the subject. This is similar to working with a soft box that directs light from a flash – all the good light is just at the edge!

Subject_in_window-light-©TimeLine-Media
Subject_in_window-light-©TimeLine-Media

Open Shade

The biggest light diffuser available is the sun behind an overcast sky. The even light will flatten out the subjects making your angle towards them more important for making an interesting photo. If you can find an open shade from the sun, you can have a little more direction to the light. Additionally, this will add dimension to your subjects.

Family-Portrait-©TimeLine-Media
Family-Portrait-©TimeLine-Media

For this photo, a covered bench blocked most of the direct light hitting the subjects, but being open to the sun in front allowed for some nice catch lights in the eyes. Without having to fiddle with a flash, remote, and all the other stuff that goes along with using a flash, I was able to take many more photos, and just concentrate on getting some great looks.

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703-864-8208

Updating Headshots – Tech Tuesday

College Park, Maryland

Last week, I was booked for an assignment for updating headshots on location. This is yet another different kind of photography project that has its own challenges compared to the events I have been covering lately. In one sense, I had a lot of time to setup for this shoot arriving early at the location, with plenty of time to situate myself before anyone had arrived. You can make a portrait lighting setup as simple or as complicated as you want, but this was a very special event, so I brought out all the big guns. I setup the on-site studio with 4 monolight flashes. If you were following me on Twitter or Instagram, I sent out photos after I had set everything up.

Headshot portrait setup for updating headshots - ©TimeLine Media
Headshot portrait setup – ©TimeLine Media

This setup made it very easy to make headshots for everyone quickly which was the goal. The organizers were expecting 300 attendees, so I did not want to have a line of people that did not have the opportunity to get a photo at the end of the night. Having lots of lights setup correctly before the first photo was taken was essential to making as many photos happen as possible. Having a dedicated light meter on hand to measure the output from the flashes ensured that everything was setup right where it needed to be – from the placement of the posing chair, to the kicker light that would separate the subjects from the background.

Mobile Lighting Setup

Using a hand-held meter really reduced the amount of “test shots” I needed to make with the camera. When I took the first shot after metering everything manually, the lights were ready to go! I was so happy with the setup, and I hope that the people that came in for their new portraits like the results. Thanks to the University of Maryland University College Alumni Association for having me provide this service for them. I had a great time with their recent graduates, and made some awesome photos of them! If you need updated head shot portraits for commercial work or social networking, please let me know. I had a great time making these portraits, and would love to make more for you if you need. Tell me – would you trust this man to make your portrait? 🙂

Updating Headshots portrait setup for self portrait - ©TimeLine Media
Headshot portrait setup for self portrait – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Light Modifier Reflections – Tech Thursday

Musician Portraits

I have been doing a lot of great portraits lately! Luckily for me, the people that have been in front of the lens have been great subjects. It seems like it would be easier to have a person giving you all the attention for the photograph. Compared to event or dance photos where it is more up to me to catch a great image. Making portraits is a different challenge. It is a true collaboration with your subject that needs input from the photographer to make it happen.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box light modifier – ©TimeLine Media

Studio Portrait

This setup on a black background was at the suggestion of the subject. The easiest way to have the most control over the light is to use a strobe to light a subject with the dark material as a backdrop. For this, I used a Nikon Speedlight firing through a Westcott Rapid Box Octa. The flash was triggered with the FlexTT5 from PocketWizard. The great thing about these triggers is that they use the TTL ability built into the Nikon camera body. Thus the computer in the flash will set the power. This is different from shooting with moonlight strobes that I typically use as those are set manually. But for this, the TTL worked very well as I setup the flashes, so I kept using them so that we could change backgrounds, and setups quickly as needed.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box light modifier – ©TimeLine Media

When photographing people with clear eyeglasses, it is not typical that you would want to have the light reflected from the glass. With sunglasses, and the kind of photos we were making here, the reflection actually turned out to be a nice element to the face!

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box – ©TimeLine Media

I did make images that also did not have the reflection so that the subject would have options. In case the later use of these images would not work with the octagonal light reflection, we had both in the can. My favorite, was when he just moved the glasses above his eyes so we could see underneath – this was the best of the session in my opinion.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

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