Posts Tagged ‘lighting’

Chasing Natural Light – Tech Thursday

Family Photos

It is no secret that I have been trying to master using flash in a lot of my portrait or people photography. There are so many advantages to knowing how to utilize a small or big flash. It can make you a more versatile photographer with the ability to shoot in more situations than if you only know how to work your camera in available light.

After I got the hang of using my camera in available light, I thought that being able to use flash would separate me from other photographers. I could expand my creativity by adding some technical know-how to making images. In a lot of cases, though, this can be a hindrance. There are more pieces of gear you need to bring with you on a shoot. That additional gear makes for more variables that can mess up your shoot. When that happens, now your attention is on fixing a technical issue instead of interacting with your subjects, and composing a good photo.

Dachshund-in-afternoon-sun-©TimeLine-Media
Dachshund-in-afternoon-sun-©TimeLine-Media

Natural Light Indoors

So in a few personal shoots, I have gone back to try to make better natural light portraits. I’m taking more time to really see the light as it travels around, through, and directly upon subjects. Here my nephew was running around the room with strong light pouring through large French doors that faced the sunset. I needed to time his position just right before hitting the shutter. I found the light to be best right at the edge before he brought his entire body into the full sun. It created a nice light on one side of his face and fell off nicely on the opposite side with a little shadow that still held a lot of detail.

Subject_before_hitting_window-light-©TimeLine-Media
Subject_before_hitting_window-light-©TimeLine-Media

Just a few seconds later, the face is turned away from the sun, and the broad side of the face is more in shadow. To make the exposure equivalent for the two photos, the second has too many hot spots that distract from the subject. This is similar to working with a soft box that directs light from a flash – all the good light is just at the edge!

Subject_in_window-light-©TimeLine-Media
Subject_in_window-light-©TimeLine-Media

Open Shade

The biggest light diffuser available is the sun behind an overcast sky. The even light will flatten out the subjects making your angle towards them more important for making an interesting photo. If you can find an open shade from the sun, you can have a little more direction to the light. Additionally, this will add dimension to your subjects.

Family-Portrait-©TimeLine-Media
Family-Portrait-©TimeLine-Media

For this photo, a covered bench blocked most of the direct light hitting the subjects, but being open to the sun in front allowed for some nice catch lights in the eyes. Without having to fiddle with a flash, remote, and all the other stuff that goes along with using a flash, I was able to take many more photos, and just concentrate on getting some great looks.

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703-864-8208

Flash Sync Speed – Tech Thursday

Outdoor photo with leaf shutter lens - ©TimeLine Media

The last two Tech Thursdays I have posted about the leaf shutter lens built into the FujiFilm X100s, Sony Cybershot DSC-RX1, and some medium format camera systems. They have some special abilities over dSLR cameras when it comes to syncing with flash units. Allowing for a faster sync speed, you create outdoor photos in bright sun while retaining shallow depth of field.

Outdoor photo with leaf shutter lens - ©TimeLine Media
Outdoor photo with leaf shutter lens – ©TimeLine Media

Most hobbyists and professionals use dSLRs for making images. However, they are limited in terms of what shutter speed they can use with flash. Look through the manual that came with your camera to see what the sync speed is with your particular model. Some cameras sync at 1/160th of a second, but the fastest shutter speed I have seen with them is 1/200th of a second.

Feature Comparison

If we were to take outdoor photos as these shutter speeds, we would have to close down the aperture to not let in too much light and overexpose the photo. What would happen if you were to set your camera to a higher shutter speed? These were taken with a Nikon D4, and the flash was a moonlight connected by a PC-Sync cable to the camera. This photo is set at f/5.0 at 1/200th of a second, the flash sync speed of the camera:

Nikon D4 - 1/200th second flash sync speed - ©TimeLine Media
Nikon D4 – 1/200th second flash sync speed – ©TimeLine Media

This at f/5.0 at 1/320th of a second:

Nikon D4 - 1/320th second - ©TimeLine Media
Nikon D4 – 1/320th second – ©TimeLine Media

This at f/5.0 1/500th of a second:

Nikon D4 - 1/500th second - ©TimeLine Media
Nikon D4 – 1/500th second – ©TimeLine Media

The shutter is not open long enough for the flash to cover the entire frame. Eventually the entire frame will be black when the shutter speed is too high like at 1/1000th of a second:

Nikon D4 - 1/1000th second - ©TimeLine Media
Nikon D4 – 1/1000th second – ©TimeLine Media

The leaf shutter camera can still do just fine set at f/5.6 at 1/1000th of a second:

Fuji X100s - 1/1000th second - ©TimeLine Media
Fuji X100s – 1/1000th second – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Headshots – Northern Virginia DC Photographer

Headshot photography - ©TimeLine Media

Spring is coming soon – hopefully! We had another bout with the snow yesterday, so I had plenty of time to edit photos inside. Every so often, it is good to update your headshots. I have plenty of different images that I use for avatars and profile photos. These are from many test shoots before my clients arrive. I use myself to test lights. Thus, I end up with lots of images to choose from in the collection. This day was no different – T. and I have been coordinating a shoot. Before she arrived, I setup the lights and the background. With the small space that I was working with, I decided to use the beauty dish for the main light on the subject. This modifies produces a very nice quality of light for faces, and there is a huge drop off from the subject keeping the light from illuminating the background cloth.

Home Studio Setup

Portrait lighting testing - ©TimeLine Media - headshots of blog author
Portrait lighting testing – ©TimeLine Media

Keeping the light off the background is important to separate your subject from the background. It works really well for portraits as it gives your subject some space in the photo. This is a piece of feedback I give to a lot of photographers when viewing their portfolios. When you are taking the time to pose a subject, and you are trying to find the best angle to place them for a photo, do not place them too close to a background element. This could include walls, plants, statues, or anything that is behind them. When you place your subjects there, you can get some strong shadows behind your subjects from a flash, and your background will be in sharp focus. I try to minimize both when making portraits – I want the subject to not have any competition from distractions in the background. If you need an updated headshot, contact me at 703-864-8208 or Rassi at timelinedc.com and we can discuss what I can produce for you!

Headshot photography - ©TimeLine Media - headshots example
Headshots photography – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

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