Posts Tagged ‘Westcott’

Light Modifier Reflections – Tech Thursday

Musician Portraits

I have been doing a lot of great portraits lately! Luckily for me, the people that have been in front of the lens have been great subjects. It seems like it would be easier to have a person giving you all the attention for the photograph. Compared to event or dance photos where it is more up to me to catch a great image. Making portraits is a different challenge. It is a true collaboration with your subject that needs input from the photographer to make it happen.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box light modifier – ©TimeLine Media

Studio Portrait

This setup on a black background was at the suggestion of the subject. The easiest way to have the most control over the light is to use a strobe to light a subject with the dark material as a backdrop. For this, I used a Nikon Speedlight firing through a Westcott Rapid Box Octa. The flash was triggered with the FlexTT5 from PocketWizard. The great thing about these triggers is that they use the TTL ability built into the Nikon camera body. Thus the computer in the flash will set the power. This is different from shooting with moonlight strobes that I typically use as those are set manually. But for this, the TTL worked very well as I setup the flashes, so I kept using them so that we could change backgrounds, and setups quickly as needed.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box light modifier – ©TimeLine Media

When photographing people with clear eyeglasses, it is not typical that you would want to have the light reflected from the glass. With sunglasses, and the kind of photos we were making here, the reflection actually turned out to be a nice element to the face!

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box – ©TimeLine Media

I did make images that also did not have the reflection so that the subject would have options. In case the later use of these images would not work with the octagonal light reflection, we had both in the can. My favorite, was when he just moved the glasses above his eyes so we could see underneath – this was the best of the session in my opinion.

Portrait with Nikon D4, SB-910, Westcott Rapid Box - ©TimeLine Media
Portrait with Nikon D4, SB-910, Westcott Rapid Box – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Flower Still Life with Small Flash

©TimeLine Media - Day Lilly

If you have been following this blog, or my Instagram, I have been learning to use a new light modifier. Specifically they are the Rapid Box from Westcott. These new modifiers are specifically designed to work with small flash, or speedlights. They are very flexible to work with any size and brand of flash, and they setup very quickly.

Light Modifier

Online, I have seen photographers that have used these for portrait sessions. They seem to work very well, and I am anxious to try them out on some people photos, but in the mean time, I have been experimenting on using them with smaller subjects. The blooming spring flowers in my backyard were my first tries, and I have blogged about them here. The difference with the Rapid Box vs. the bare flash was clearly evident from the first photo. The light is diffused and spread nicely with the Rapid Box making hard shadows disappear when photographing sections of flowers that poke out from the centers, making the light seem like it is coming from the sun on an overcast day rather than from a speedlight only a foot away.

©TimeLine Media - Day Lilly
Day Lilly Flower ©TimeLine Media

The lightness of the softbox allows you to really put it in places that a standard softbox cannot go because of size or weight. Here is a behind the scenes photo of another shoot showing the camera position and the softbox setup:

©TimeLine Media - Rapid Box setup for flower shoot
©TimeLine Media – Rapid Box setup for flower shoot

The box is not in shooting position in this photo. I held the stand in my hand before taking the photo with the timer so I could see exactly where the light was going. It was a bit complicated, but the results are much better than what I could get without the flash.

Cameras LOVE light. To get better images, you need to have as much light on your sensor as you can get. The technology that they have built into these flashes is optimized to give you better images if they are set up correctly. They need practice to get them to work best, which is why I have been working with these on static subjects before I put them in front of people. If the flowers are any indication, I am confident that these boxes will work great. Stay tuned to find out!

©TimeLine Media - dark red lilly
©TimeLine Media – dark red lilly

TimeLine Media – www.timelinedc.com
703-864-8208