July 2013 archive

ISO – Tech Thursday

©TimeLine Media - ISO 8000 digital

For my professional photography career, I have been digital all the way. I am not nostalgic about the hey day of using film when capturing images. In the few times that I have used film, there is not much different in the way that the camera works. With later Nikon SLRs, the mechanics and ergonomics are almost exactly the same without the screen on the back for viewing images, of course. And then there is the ISO button.

One setting that is different on digital SLRs compared to film is the ISO button. This setting relates to the light sensitivity setting of the sensor and what I think what allowed digital photography to surpass film in quality and usability. Here is the reason why. ISO refers to the International Organization of Standards that creates the universal criteria for a variety of measures.

ISO Rating

The lower the ISO number on your camera, the LESS sensitive your sensor is to light (ie 100 or 200) . The higher the ISO number, the MORE light sensitive your sensor is to the light hitting the back of the camera (ie 1600, 3200 and higher). Back in the film days, you used to have to choose your film speed when you were at the store. This corresponds to the ISO setting in digital cameras. They would sell photos for bright daylight which would be ISO 100 or ISO 200, or you would choose an all-around film which would be rated at ISO 400, or you could get action film which usually would be black and white and be rated for 1600 or 3200.

Why would you choose one over the other? In photography there are always trade-offs. In film, it is grain, in digital capture, it is digital noise. As your sensitivity goes up, so does the amount of grain or noise in your image. The lower ISO values give you the cleanest image without little dots of noise that do not accurately have represent the scene. Higher ISO values may introduce noise or grain artifacts, but it is possible for you to capture a sharp image with faster shutter speeds. Sometimes getting ANY image no matter how grainy is better than getting a completely blurry image without any grain. This was important for photo journalists that needed to get sports shots, or images in bad light without added lighting, and still be sharp enough for printing in the newspaper. Here is an example of a photo taken with Kodak T-Max that is ISO 3200:

©TimeLine Media - ISO 3200 film
©TimeLine Media – ISO 3200 film

Digital Grain

Yes, there is lots of grain in the image! But considering there was no added flash, and using only the ambient light from lamps in the room, you do get a sharp image, and you can make out the subject. Here is a 100% crop from this frame really showing the grain from the film:

©TimeLine Media - ASA 3200 film
©TimeLine Media – ISO 3200 film


With digital photography changing at a rapid pace, the ability to shoot at higher ISO has become the next technological marking stick. Manufacturers have been making cameras that can shoot at higher and higher sensitivities. The magic in new hardware and software allows for this increased sensitivity without adding much noise to the image. Here is an example from a DSLR at ISO 8000 – almost 2 stops more sensitive than the film images above!

©TimeLine Media - ASA 8000 digital
©TimeLine Media – ISO 8000 digital


Here is the same image at a 100% crop:

©TimeLine Media - closeup of ASA 8000 digital
©TimeLine Media – ISO 8000 digital


The noise/grain is really minimized. From these developments, it really does not make as much sense to shoot film especially for sports or event photographers. This really changes what kinds of situations I can shoot, and what equipment I need to make good images. All digital cameras have an ISO setting, even the iPhone. You may not be able to control it, but you can go into the data for each of your images and see what was the sensitivity for each.

Camera Settings

At the beach on a bright sunny day, the ISO will be 50 or 100, and the computer in the camera will push the ISO up as it gets dark. With this changing automatically in point and shoot or smartphone cameras, you no longer have to worry about sensor sensitivity, but know that as it gets better, so will the quality of your indoor or lower light photos. Rest assured, the sensors in DSLRS are much larger making them much better, but it shows how much people want better low light photos for what they want to photograph.

TimeLine Media – www.timelinedc.com
703-864-8208

New Jersey State Open Photos

©TimeLine Media - 2012 NJSO ballroom dance competition

Last Fall, we photographed the 2012 New Jersey State Open. This event capped a busy October for ballroom dance events. We traveled to the Golden Nugget in Atlantic City, NJ. This venue is very nice for these events – a very large ballroom that is close to the hotel lobby, casino, and restaurants. Although it is off the boardwalk, there is still lots of action around the event. Dancers definitely occupy the bulk of the traffic on these weekends. Both the American Star Ball and the New Jersey State Open have been held here the last 2 years, and we enjoy the setup here.

Happily, the organizers have asked us be the official photography vendor for the 2013 event! We are excited about going back to see what new things they have planned. Over our years of covering this event, we have changed venues, and formats, all for the better. Last year, there were some entertaining performances including a rhythm gymnast and juggler that had the really added to the variety flavor of the Saturday evening show.

The updated website recently went live, so the organizers will be ramping up as details are added about the competition held October 24-27, 2013. If you will be there, let me know! I want to be sure to be ready in case you are doing anything specific that you want me to try to get in photos for you. Of course, I will be doing my best to do that all weekend, but it is nice to have the heads up! Here are some of my favorites from last year’s event – enjoy!

©TimeLine Media - 2012 NJSO ballroom dance competition
©TimeLine Media – 2012 NJSO ballroom dance competition
©TimeLine Media - 2012 NJSO ballroom dance competition
Open Pro smooth – 2012 NJSO ballroom dance competition ©TimeLine Media
©TimeLine Media - 2012 NJSO ballroom dance competition
©TimeLine Media – 2012 NJSO ballroom dance competition

TimeLine Media – www.timelinedc.com
703-864-8208

Arthur Murray – Spring Freestyles

©TimeLine Media - Arthur Murray collage

Just another reminder that the countdown is on for the end of the 2013 Arthur Murray Spring Freestyles photos. Soon, they will be removed from the proofing website this upcoming Monday! The photos will no longer be available to view online and will be sent to the archives. There is a charge in order to reupload the photos for viewing. If you would like to view all the photos from this event, please go to the link below before Monday July 29, 2013, to see them. Thank you!

Arthur Murray 2013 Spring Freestyles photos

©TimeLine Media - Arthur Murray Freestyles collage
Arthur Murray collage ©TimeLine Media

For these posters, I wanted to up my photo collage game. This first poster adds some landscape – orientation photos along with portrait formatted ones. Additionally, I added an Arthur Murray logo to match a color present in the images. For that reason, I picked the orange, from a dress, and the lights installed above the dance floor.

©TimeLine Media - Arthur Murray Freestyles collage
©TimeLine Media – Arthur Murray Freestyles collage

In the second, I went with 3 square frames for the images. Obviously these are all cropped from the images since our cameras do not shoot in that format natively. To add some additional interest, I enlarged the center one. The blue – green logo comes from the ladies dresses to tie these all together. While working on these, I learned some nice lessons on working in graphic design software. Especially the logo which is a vector-based file, it is very flexible in this format. Do you made any of these? What are your favorite tips to make photo collages?

TimeLine Media – www.timelinedc.com
703-864-8208

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