Archive of ‘Personal’ category

Smithsonian Buildings Tilt Shift

Washington, DC

The blog has been very ballroom dance heavy the last week. The dancing photos have just been a big part of my computer time, so I had them at the top of mind lately. I’ll start switching the subject out today. A few weeks ago, I had the opportunity to walk around some Smithsonian museum buildings in Washington, DC.

Kryptos statue - Washington, DC - ©TimeLine Media
Kryptos statue – Washington, DC – ©TimeLine Media

During the summertime months, the area is filled with groups of tourists, school groups, and other visitors to the city. Mixed with all the government workers going about their business, it is a busy time for this area. I blended in much more with the tourists pointing their cameras at all the recognizable buildings.

Lens Practice

For this walk, I just had one lens on my camera – the 24mm PC-E tilt shift. I wanted to make more comparisons with some larger buildings than the ones in my neighborhood. The Hirshhorn Museum was one that I wanted to try. There are usually not as many pedestrians or large buses parked by the Jefferson Street side, so I went there for my test. Here are the two images, the first uncorrected with the camera pointing up towards the building, the second shifted to straighten the lines of the facade.

Hirshhorn Musem - Washington, DC - perspective uncorrected - ©TimeLine Media
Hirshhorn Musem – Washington, DC – perspective uncorrected – ©TimeLine Media
Hirshhorn Musem - Washington, DC - perspective corrected - ©TimeLine Media
Hirshhorn Musem – Washington, DC – perspective corrected – ©TimeLine Media

The second is really a different view than what you see as you drive by. The main circular section looks to be suspended in mid air one story above street level. As you take photos of the building when you walk by, the “leaning back” perspective is what you normally see from close below the structure. The corrected version seems so straight, that it does not look right to my eyes! When drawing straight lines, though, everything lines up as it would on a sheet of paper if you were making a blueprint of the building. This was my first try, and it will probably not be the last time that I go back to a familiar place that I am accustomed to seeing with distorted vision due to perspective.

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Photography Practice

I am a medium sports fan. Overall, there are teams that I follow closely, and some sports that I follow as they get into their playoffs or get ready to crown their new champions. On the sporting-related channels, there is no shortage of behind the scenes shows that tell the story of the athletes and coaches away from the playing field. They detail their preparation, work, and practice that they do long before the games.

Dachshund laying in grass - ©TimeLine Media
Dachshund laying in grass – ©TimeLine Media

Honing Skills

Practice is what separates the professionals from the enthusiasts. The same is true in photography. The value of the equipment can only be fully realized by those that have taken the time to experiment. Emphatically, you need to test, and repetitively work the action until it becomes natural. In looking through my portfolio, it is easy to see how you progress as you work.

Storm clouds - ©TimeLine Media
Storm clouds – ©TimeLine Media

This also applies to when you do the practice. Doing this on a paying job is not recommended! You need to practice this before you are in front of a client. You can really test the limits of your equipment, and see what is possible with different setups. If you are at a wedding, or you have a corporate client waiting for you to make an exposure, you need to have all the technical details worked out. They do not have the time, nor are they interested in waiting for you to test when they have guests to see, or work that needs their attention.

Cupcake photographs - ©TimeLine Media
Cupcake photographs – ©TimeLine Media

Any opportunity that you have your camera can be a time to test. You do not have to have a personal project in mind, but have a piece of equipment, or a specific technique in mind. This will make your effort to “take your camera with your wherever you go” more productive. You already have the basic, automatic settings down after a few shoots with your gear, so push yourself to try something different. It has made me better prepared when faced with different shooting situations.

Pet portrait - ©TimeLine Media
Pet portrait – ©TimeLine Media

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703-864-8208

Stalking A Seagull

Seagull on pier - ©TimeLine Media

Looking through my photo portfolio, you could say most of my assignments have a lot of action. From ballroom dancers to weddings, and even to fashion shows. There is always a lot of movement and a sense of excitement – at least that is what I am trying to convey in my photos. This post is about an encounter I had with a bird. You would think that this again would have lots of movement, and trial and error to get a sharp image. But it turned out to be one of the calmest subjects I have had in a while.

Shore Bird

Seagull on pier - ©TimeLine Media
Seagull on pier – ©TimeLine Media

This bird was sitting on the pier near where we were grilling dinner. Although there are usually a flock of seagulls (insert music pun here) in the area, this one gull wanted to see what we were doing. It kept a good distance making sure we were not coming after him in a threatening way. So I thought that I could get close for a nice shot.

Seagull on pier - ©TimeLine Media
Seagull on pier – ©TimeLine Media

As I moved closer to the end of the pier, he moved a little further out. He was cautious, but he did let me get close. I tried moving slowly, and as close to the ground as I could hoping that I could move into a better position.

Fluffing Feathers - ©TimeLine MediaFluffing Feathers - ©TimeLine Media
Fluffing Feathers – ©TimeLine Media

The bird really knew that I was following him, so I just stopped about a third of the way down the pier, and moved around his position. Crouching down all produced even better results:

Bird on one foot - ©TimeLine Media
Bird on one foot – ©TimeLine Media

The best results came from putting the camera right down on to boards on the pier. Keeping the aperture open really isolated the focus to the bird. It made the pylons on the side of the pier both in front and behind the bird disappear making for a nice leading line to the subject.

Seagull on pier - ©TimeLine Media
Seagull on pier – ©TimeLine Media

Luckily, the seagull headed to the middle of the pier making for a nice symmetrical composition. I really enjoyed this exercise! After it was clear we were not going to give him any of our barbecue, the gull flew on to find better luck somewhere else.

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703-864-8208

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