Archive of ‘Technology’ category

Lens Flare and Honeycomb Grids – Tech Thursday

©TimeLine Media - Arthur Murray Tysons Corner professional show

Lens flare is a common artifact of photography. When a source of light shines directly into the lens, you are likely going to have a flare of some kind. There are lots of glass elements in a lens. If there is a strong light source going through the lens, there will be reflections between these pieces of glass which create a lens flare. Here is an example when pointing the lens directly towards the sun:

Working with Lens Flare

©TimeLine Media - lens flare
©TimeLine Media – lens flare

There are little round circles of light going diagonal from the sun in the frame. With better constructed lenses, these flares can be minimized to not interfere too much with your photo. Recently, lens flares have been made a stylistic choice in lifestyle photography. Lens flares can be used in beach scenes, or other sunny settings to emphasize the youthful energy that the photographer is trying to convey. There are lots of apps for your smartphone that all you to add lens flares to your photos if you do not shoot them with the camera at the time! Movies too have used lens flares, and they became a recognizable element in the J.J. Abrams reboot of the “Star Trek” series. You only have to see the trailer to see that he loves to use the lens flares when in space.

Working With Lens Flare

For my photography, I am starting to embrace lens flares in some situations. My ballroom dance photography is flat light for the most part. There is a large floor to cover, and bouncing the light off the ceiling is easier for the audience and dancers from being distracted from the flash. When it comes to the special showcases from professionals, I want to change how they are lit since it is a shorter time period, and I no longer have to share my flash with other photographers. For this show by the Tysons Corner studio, I have an example of where I had a backlight flash directly into the camera for one photo, then quickly turned off the flash for another shot.

©TimeLine Media - Arthur Murray Tysons Corner professional show
©TimeLine Media – Arthur Murray Tysons Corner professional show
©TimeLine Media - Arthur Murray Tysons Corner professional show
©TimeLine Media – Arthur Murray Tysons Corner professional show

I knew where the light was positioned, and if I took one shot, there would be a chance that the directly line of light into the camera may ruin the shot. So I turned off that flash, and took another. Luckily both of them came out! One has a strong back light flash to add another element to the composition, the other more conventional photo. Both are usable depending on what you are looking to display. You don’t want to over use them! By the way, I love the new Star Trek movies.

©TimeLine Media - Arthur Murray Tysons Corner professional show
©TimeLine Media – Arthur Murray Tysons Corner professional show

TimeLine Media – www.timelinedc.com
703-864-8208

Rapid Box Flash on Car

©TimeLine Media - Viper GTS details

After experimenting with my own car, I took my Rapid Box to photograph another, more exciting model, a Dodge Viper GTS. This would be another chance to try the Westcott Rapid Box as my new flash modifier. Photographing car details with this setup is very easy! The portability of the Rapid Box as well a small speedlight means that you can put the flash in a small space and still use some sort of light modifier to make the light softer. This allows for lighter area to fall into shadow nicely which helps to block out distracting elements in garage from being seen in the photo. Combine that with a macro or short lens, and you can really focus in on details.

Details

©TimeLine Media - Viper GTS details
©TimeLine Media – Viper GTS details

In this first photo, the flash allows you to control the light and give it a little shape. The light fades slightly from the top right to the bottom left, framing the letters. The addition of flash instead of using available light means I can hand hold the camera and adjust quickly than if stuck on a tripod. The ISO is also at the lowest setting on the camera meaning the color is still vivid and true compared to higher ISOs.

©TimeLine Media - Viper GTS details
©TimeLine Media – Viper GTS details

Again using a small softbox, you can get soft light in a tight spaces. The light still shapes the area under the flared out lid at the rear above the tail light. This is something that is very difficult to do without a light shaper in front of your flash. All of these photos of the car details can be put into a compilation poster to give an overall picture of the car. You may have seen it in a previous post. Try it with your car and let me know how it goes!

©TimeLine Media - Viper GTS details
©TimeLine Media – Viper GTS details

TimeLine Media – www.timelinedc.com
703-864-8208

Working with Memory Cards – Tech Thursday

©TimeLine Media - ballroom dancer portraits

When photographing ballroom dance events, the action on the dance floor is the focus. Especially at a Showcase event where there are choreographed routines that are performed by solo couples, the action photos take priority over all the other photos of the day. Other photos that I make during the day include the decorations, the table centerpieces, and posed portraits. Some dancers like to have their photos taken while not under the pressure of being in front of the audience and judges during their routines. I can understand! You can face the camera exactly how you want to be angled, and you can hold lines perfectly for the camera which is difficult to do while dancing.

Event Workflow

©TimeLine Media - ballroom dancer portraits
©TimeLine Media – ballroom dancer portraits

This brings me to the point of the post today regarding memory cards. I took some photos off the floor of some couples at the event. In the hustle and bustle of the day, I did not download the card with these photo right away, and kept them in my Nikon D4. I then went back to photographing action with my other camera, a Nikon D700. When I started to run out of space on the card in the D700, I reached for the card in the D4 to continue shooting. One of the limitations of the older D700 is that this camera cannot display files created by the D4. It is also a good practice to format cards prior to using a new card to ensure that files are not corrupted when re-writing to a memory card. Well this is where my problem started. When I checked the D4 card in the D700, it said that there were no images on the card. So I reformatted the memory card before starting to use it in the D700. GONE! Of course, I did not discover this until yesterday as I was editing the photos from the event.

Sandisk-8GB-cards
©TimeLine Media – SanDisk Compact Flash cards

Is this still a common practice by photographers? Am I being too cautious by always reformatting cards prior to using them in a camera? If I had not done this to the card prior to shooting, I would likely still have the images. I am trying to see if any data recovery software could possibly get any of the images back, but I am not hopeful. Please let me know your thoughts on the subject!

TimeLine Media – www.timelinedc.com
703-864-8208

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