I am finally getting around to posting about my trip to Philadelphia with my Fuji X100S. While I was accompanying my wife on a business trip, I had a chance to tour the city. While we had plenty of space, I did not want to bring my bulky camera setup with me. On this occasion, we took the train from DC, and not worrying about a large camera bag was very freeing!
In case you are unfamiliar, the Fuji X100S is a mirrorless camera. Without a doubt it is a much smaller package, but the performance is not compromised. Also the software built into the camera has some features that are not in other cameras I have used. For example, the Independence Hall above was stitched in-camera! Of course that could be done in post processing, but testing it here was impressive.
The picture styles of their JPGs particularly change the look. Since these are from the same company that makes Fuji film stocks, they named the styles in the same way. This last photo is a monochrome image out of the camera – lovely – just like the Acros film I remember from film-shooting days!
We are starting a thaw out from last week’s wintry weather! It has taken a week, but finally we are starting to see some grass peeking out from under the snow. While it was falling heavily, I did not have the urge to take many photos. I am sure that there were some spectacular opportunities to do so. However, it just did not happen for me this time. Perhaps it was the preparation for the big ballroom dance event that stopped me from getting out. I have all the cameras and lenses to make something out there but I missed an opportunity.
With the shooting of the event now completed, and the warmer air outside, I wanted to get some photos before ALL the snow had melted. Going out there with the Fuji X100s made it easy to illustrate the first lesson that everyone learns when photographing in the snow. You need to “overexpose” or add more light to the scene than you normally would when taking photos.
The meter built into your camera is designed to measure the light coming in through the lens. It will tell you what settings will make for a balanced exposure. Technical photographers will call this calculating the exposure for “middle gray”. In other words, the brightest areas will not be too bright that they lose detail. Concurrently the darkest areas will not be too dark to lose detail. Unfortunately, these settings will make your snow look like “middle gray” as in the example here:
To restore the snow to its pretty white brightness, I had to add 1 stop of exposure, or overexpose the meter reading by one stop to get a nice white from the snow. Either the shutter speed is slowed down by one stop, or your can close down the aperture by one stop. Because I do not care to see any detail in the snow as it does not add to the photo, go ahead and let it be too bright. It is only a base or background for the frame, and does not need to be as detailed as the branches of the tree.
This technique not only works for snow, but works for window light, backlighting, or any other elements that are in your frame, but are not the main subject. They can be blown out, or overexposed without affecting the portrayal of your subject – the one thing you do want to see.
It has seemed like a long time since I have written a post! There is a nice backlog of things that I want to post about, but there are lots of things going on outside of photography that I am taking care of before I can get to them. Back to the photos – these were from an open shoot. The National Cathedral moved all of the chairs out of the nave which allowed you to view the expanse of the main worship space. Having an unobstructed view of the cathedral was a unique experience, and one that is difficult to capture in photos.
With the repairs being done to the structure from the earthquake of August 2011, some of the stained glass windows were hidden from view. But there was still so much to photograph in the space. It took me 15 minutes just to get my bearings. It was nice to see so many photographers take the opportunity to come early on these two mornings to make some uncommon photos of this landmark.
I tried to stay out of the way as much as I could, but it was difficult. The other photographers were also very kind to gauge where each person was lining up a photo so as not to be in each other’s frame. Unfortunately, I did not have enough time to setup my big camera gear. With the DC traffic, I was already late and had lost some time to shoot.
So all of these photos were taken with the Fuji X100s. In every situation I bring this small camera, I am impressed by the capabilities. The noise performance, and the low light capture ability with the f/2.0 lens is impressive. If you need to make bracketed exposures for HDR, there is a drive mode that will create 3 very quick frames with 3 different exposures with one click of the shutter button. It came in handy in conjunction with the self-timer to get sharp photos in such a dark space!
