Posts Tagged ‘portrait’

Creating Vignettes in Lightroom – Tech Thursday

Wisconsin State Capitol at dusk - ©TimeLine Media

When Adobe Lightroom first came on the scene, it added the ability to create vignettes. I saw many photos with the darkened corners. It was not until I installed the beta of the program that I saw why! This look stems from the technical deficiencies of old cameras. Some larger format cameras or older lenses were not as precise with their ability to transmit light to the edges.

Post Processing

Wisconsin State Capitol at dusk - ©TimeLine Media
Wisconsin State Capitol at dusk – ©TimeLine Media

Now, every image editing app from Instagram to Snapseed has a way to purposefully add vignettes to your photos. I saw a demonstration where Parker J. Pfister had extreme uses of vignettes in his photos that brought the darkness in much farther into the frame. Some of the darkening did not even follow a light fall-off pattern that an old lens would produce, but the images were stunning. The reason that this works is that your eye will be attracted to the brightest thing in the frame first.

Event Portrait - ©TimeLine Media
Event Portrait – ©TimeLine Media

In most cases, you will want the brightest part of the frame to be your subjects face if you are photographing a person. Sometimes it will be an object in the foreground that you would like to emphasize over the background. Adding a vignette is very easy in the Effects panel of Lightroom 5. After you make your crop, the Post-Crop Vignetting tool is used to darken the corners, and you can set how far into the frame you would like to darken. You can also set how much you would like the vignette to darken, and how dramatic a drop off you want that to happen. Be cautious that you do not over do it! Over darkening of these edges where it becomes too obvious can make it distracting for your viewers taking away from the overall impact of the image.

Studio Portrait - ©TimeLine Media
Studio Portrait – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Illuminada

GGB-Nada-outside-diner-0001

This post is dedicated to my aunt. She was my father’s sister that visited us often. Her brothers treated her with the respect that all good brothers show to their oldest sister. Compared to her, my dad was outwardly more energetic, and seemed to bring more attention to himself with loud laughter and funny stories. Tia Nada, as most called her, was more reserved in her actions, but she had many of the same personality traits underneath the surface. She too, had stories that could get the group going, and her humor fit right in with all of her siblings.

Family Photos

Nanay, Papa Titing, Tia Nada on deck2

From snippets of stories of the old days, it was Tia Nada that first met my mother. They both worked in the same hospital and became friends. Since the workplace was in Tia Nada’s town, it was natural for my mom to be invited to and meet the rest of the family. Who knows where I would be, or IF I would be if this circumstance was different!

Borneo-family-photo-pier-0001

I remember her as a gentle, yet strong and independent person. My mother could depend on her to help with her business if her regular assistants were on vacation. She could help with keeping her books, she helped to cook during our family reunions, and she even helped us move our things to a new house.

Tia Nada lived for a long time in Toluca Lake, California. While at home, she kept up with the headlines and all of the news of the celebrities in Southern CA. She would recount all of details of the OJ Simpsons trial when we call her. (C’mon now, every family has at least one person that followed the whole story!) She called us to make sure we were watching the Opening Ceremonies of the 1984 Olympics in her city. And driving through her neighborhood, she could give you her own tour of famous people’s homes, no map needed!

Tia-Nada-GGB-self-shot-0001-2

This always seemed to keep her younger in my mind. I admired her strength in challenging times. She relied on family, but we also relied on her. I hope much of her spirit survives in us after knowing her. 

Adding Light with Flash – Tech Thursday

Pet TTL flash portrait indoors - ©TimeLine Media

With the advances in digital photography, it is easier to explain how the camera calculates an exposure. Additionally, it is easy to visualize that a larger aperture opening will let more light into the frame, or a faster shutter speed will let in less light. Once you memorize that lower ISO values are less sensitive to light than higher ones, you have the basics of the “Exposure Triangle” mastered.

Flash Portrait

TTL flash portrait indoors - ©TimeLine Media
TTL flash portrait indoors – ©TimeLine Media

Getting photographers to start using flash is a difficult step. They start to freeze up. Almost as though they just put the camera back in Program mode again. They let the camera make all the decisions like they did when they first started taking photos. Just like the settings for Aperture, Shutter Speed, and ISO, working with flash can be straightforward. However, it does add another layer to the considerations when making images. I hope that through some posts, I can get you to experiment more with your flash. Hopefully you will learn how to control it to improve your photography. It will set you apart from “natural light” photographers that never add flash. There are many that choose to do this for artistic reasons, but do not be afraid to add this to your toolkit. You will be able to make images that are IMPOSSIBLE without the flash. If you have aspirations of photographing weddings, or events, you will need to use flash at some point in order to make images that grab attention.

Pet Portrait

Pet TTL flash portrait indoors - ©TimeLine Media
Pet TTL flash portrait indoors – ©TimeLine Media

In my previous post on flash, the settings on the speedlight were in the default TTL (Through-The-Lens) mode. This is the equivalent of the Program or P mode. The camera and flash work together to calculate how much light to add to your scene to get a good exposure. The computing power built into both ensure that you will get good exposures – and you can still control some of the aspects of the image. You can use TTL mode in Aperture priority so that you can set the depth of field in your image to keep that control over your composition. This is the first step – and likely you will get good results with the TTL settings on your camera. I’ll post how you can take control of this just as you do with your other settings in your camera to make even better images.

TTL flash portrait indoors - ©TimeLine Media
TTL flash portrait indoors – ©TimeLine Media

TimeLine Mediawww.timelinedc.com
703-864-8208

1 14 15 16 17 18 25