Archive of ‘Photography’ category

Nikon 70-200mm F/2.8 – Tech Thursday

Photo with Nikon 70-200mm, www.timelinedc.com
Flower bed photographed with the Nikon 70-200mm F/2.8 lens

This Nikon 70-200mm lens is the first professional lens I had the opportunity to purchase. The above photo is the first I took with it right out of the box. Just a simple shot of the front bed of mums. Truth be told, my mom helped me out with the payment – but I have made good use of the investment.

Professional Gear

The 70-200mm is the most versatile lens in my bag. I have used it on almost every assignment from ballroom dance, to weddings, sports, and portraits. When I first started using the lens, it seemed like it instantly transported my photography to the next level. This was different from other “new” lenses because of two factors. The first is the focal length – starting at 70 and going to 200 means that you cannot take a shot that is too wide.

Photo with Nikon 70-200mm, www.timelinedc.com

Anything you are trying to photograph with this lens has to be a good distance from the camera, and many distractions will be eliminated from the frame. Both of these factors already change how you think about composition, making it simpler than if you had a wider angle lens on your camera. With an isolated subject, now you only need to think about placement of your main subject, and maybe something at the edges that would give some context.

Portraits

Photo with Nikon 70-200mm, www.timelinedc.com

All camera manufacturers make a variant of this lens, so this information is not exclusive to Nikon. The other technical specification of this lens that helps your photography is it’s constant f/2.8 maximum aperture across all focal lengths. There are kit lenses that are sold with cameras that have longer focal lengths, but their max apertures vary getting smaller as the lenses is zoomed out to it longest focal length. Having f/2.8 allows me to photo at lower ISO settings in low light situations like conference rooms, and dance studios.

Photo with Nikon 70-200mm, www.timelinedc.com

For shooting any field sports, the 70-200mm lens would be a minimum for catching action on the field. It was often too short to catch game action for me without extreme cropping. On the practice field or warm ups before the game, however, it was still able to work its magic. 

TimeLine Media – www.timelinedc.com
703-864-8208

Wedding photos – Ruth & Don – part 3

After the bridal walk, we took a short drive from Hershey to Middletown, PA. On this occasion, the reception was held at Karen’s Harmony Hall, a beautiful venue to hold these private parties. They have a large completely open space with white ceilings which are perfect for wedding photos.

Reception Venue

These remind me of the large reception tents that wedding receptions typically have if the parties are held outside. This is nevertheless an important detail that makes it easier for the photographer. Without any tinting to the color of the walls or ceiling, there is no drastic color change from flashes to interfere tint the color of your photos. In the photo above, you can see the large hall with plenty of space for moving, dancing, and buffet setup without anyone being crowded for space. On either end of the reception hall were two large windows to let in lots of natural light and beautiful sunsets in the evening.

Wedding reception photo - www.timelinedc.com

The music and MC duties at this time were done by Ryan Miller. He was very professional and kept the party right on schedule. No part of the evening was rushed, and he made sure to handle all requests, and announcements. Along with the music, he also used a snow machine to go along with the winter wedding theme. The machine added an especially beautiful element to the special dances surrounding the party with snowflakes!

Collage of wedding photos from Ruth and Don's wedding reception ©TimeLine Media
Collage of wedding photos from Ruth and Don’s wedding reception ©TimeLine Media
Wedding reception photos, www.timelinedc.com

Thanks again to Ruth and Don for having me photograph their wedding! It was such a privilege to cover the day. I hope they enjoy these most important photos for a long time to come. If you have any need for photography, please send me an email [ rassi @ timelinedc.com ], or give me a call (703) 864-8208. It is Valentine’s Day tomorrow, and I’m sure there will be proposal and wedding plans starting soon after. I’d be happy to talk with you about making some particularly beautiful images of your day!

TimeLine Media – www.timelinedc.com
703-864-8208

SCCA Racing

SCCA racing photo, www.timelinedc.com

Auto racing is another challenge to capture in photographs for different reasons that ballroom dance. In ballroom dance, there is a limit to how far you can change the background in the photo. Better photos have cleaner backgrounds. If you have an entire racetrack to choose from, you should find a spot without too many distractions. For these photos, I did not have any special credentials to shoot the track. So I had to find accessible areas in the spectator sections that would be clean enough for photos.

Summit Point, West Virginia

The distractions around the track include spectator stands, safety tires piled by fences for safety, and unpaved track. This is difficult to do completely. So I look for spots where these are minimized. Then I pan the camera as the cars go by to blur the backgrounds, keeping the cars sharp. It always takes a few tries to get into the rhythm of following the cars this way. In the top photo, you can see two of the wheels of the Corvette off the ground as it goes through the apex of its turn. I tried to get this shot 4 times before one finally came out where everything was sharp, and the wheels were in the air.

In this next photo, the fuel mixture was a little “rich” with excess fuel being expelled as the car downshifted through the turn. The flame would show in the braking at this turn for approximately 2 seconds. I used the motor drive on the Nikon D4 to catch the flame at the tailpipe. This was the best of the attempts. In the other photos, the flame was either too small, or I just caught the smoke left after the flame dissipated.

SCCA racing photo, www.timelinedc.com
SCCA racing photo, www.timelinedc.com

If you pan the camera along with slowing the shutter speed down, you can keep the car body sharp, but blur the wheels keeping the sense of speed on display. Having too high of a shutter speed will freeze the wheels making it look like the car is just parked on the track. This is similar to ballroom dancing for me. I love to see motion in the faces, and the costumes of the dancers. Capturing motion in a still image is more challenging, but holds my attention much longer.

TimeLine Media – www.timelinedc.com
703-864-8208

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