Archive of ‘Technology’ category

Rush

©TimeLine Media - NASCAR car in paddock with split tone

Many good photographers have written about  using other art forms to improve your photography. Master painters take light and shape in combination to guide viewers eyes through their compositions, and grab their attention. Being a still photographer, I have looked at paintings as well as other photographers in trying to improve my photography. I did not consider how movies can do the same. Although they may seem similar, and may use much similar equipment, motion pictures require an entirely different mindset to execute well.

Movie Inspiration

Ron Howard, being one of the best directors currently working, recently released the movie “Rush” about two rival race car drivers that competed for the 1976 F1 Championship in auto racing. Saying that the Academy-award winning Ron Howard knows what he is doing is more than an understatement, but I came away with some thoughts about how a photographer and blogger can relate to this depiction of world class competition at a specific time.

©TimeLine Media - NASCAR car in paddock
©TimeLine Media – NASCAR car in paddock
©TimeLine Media - NASCAR car in paddock with split tone
©TimeLine Media – NASCAR car in paddock with split tone

The filmmakers not only had the actors, decor, and cars in the movie styled for the time, but there was a hint of toning throughout that set the period for the early to mid-1970’s. It was subtle, much like the split tone effect on the photo above, but it gave an overall feel to the movie as a whole that placed them in the correct time period. It would probably have still worked without this color treatment, but it’s addition was a nice detail.

Motorsports Photos

©TimeLine Media - racer in car before race start
©TimeLine Media – racer in car before race start

The action is the draw of the sport. It is a display of skill, speed, and determination. But there are personalities, and stories off the track. In the movie, the rival drivers have two completely different mindsets in their approach to racing. The movie shows the lifestyle of the drivers off the track mirrored their style on the track. It furthers the story, allows the viewers to make their own opinions, and it made me want to research further about their rivalry.

Happily, the filmmakers stayed true to many of the details of this time. With the blessing of many of the people that lived this piece of racing history, the story was an excellent portrayal of the best F1 racers of that time. I will have this in the back of my mind the next time I will cover a sporting event, a wedding, or any significant event for someone that is looking for photos. I would like my photos to tell a story much like this movie – both accurate to the events taking place, and compelling to view for those that were there, and those who will look back on the images in the future.

©TimeLine Media - motocross racing
©TimeLine Media – motocross racing

 TimeLine Media – www.timelinedc.com
703-864-8208

Fill Flash – Tech Thursday

©TimeLine Media - Georgetown Dance Portraits

Another dancing couple reached out to have some photos taken. They had decided to try the Georgetown Waterfront to make some nice dance portraits. Sharon and Michael chose this spot as there were some fountains and views of the Kennedy Center in Washington, DC. This spot is right across the Potomac River from Roosevelt Island that we visited recently on a photo walk.

Georgetown

©TimeLine Media - Georgetown Dance Portraits
©TimeLine Media – Georgetown Dance Portraits

We met in the late morning, early afternoon for our session. That was the best time that we could coordinate schedules. However, this is not the most ideal time for photos. I had to use a lot of fill flash to get the photos we were looking to make. Fill flash is available on any camera today to help balance the bright background from the sun and sky, and the subject that is in the foreground. If you did not have this added light, your photos will have your subjects in silhouette, with a perfectly exposed background. Unfortunately this is typically not the important part of the photo. In this case, you would exposed the fountains, sky, and buildings in the background, and the dancers would be in shadow.

Mid-Day Portraits

©TimeLine Media - Georgetown Dance Portraits
©TimeLine Media – Georgetown Dance Portraits

Fill flash is not anything special. It can be the internal flash built into your camera or smartphone, an external speedlight, or a large strobe flash. Adjust the flash to balance the exposure on your subject to match your background. In this case, I had to use 2 Nikon speedlights at full power to get the dancers exposed well in the harsh light. A nice bonus if you get to this point, you get a nice saturated blue in the sky instead of a blown out white sky.

©TimeLine Media - Georgetown Dance Portraits
©TimeLine Media – Georgetown Dance Portraits

TimeLine Media – www.timelinedc.com
703-864-8208

Zoom Your Flash! – Tech Thursday

©TimeLine Media - motorcycle action photo with zoomed flash head

Of course you can zoom your lenses, but did you know you can zoom your speedlight flash? Depending on the model that you have, your flash head can be moved internally. On the Nikon SB-910, the flash head can be zoomed from 24mm to 200mm – a much larger range than their previous model, the SB-800 which had a range of 24mm to 105mm.

Speedlight Features

If you have this flash connected to modern Nikon cameras, the flash and the camera will talk to each other. They will automatically set the zoom of the flash to match the focal length of the lens that you are using by default. This is a great feature! As you use a longer focal length, the flash head will automatically zoom so that more flash power is given where you need it. Here are some example photos showing the difference in the light produced by the flash at different zoom lengths:

©TimeLine Media - Nikon Speedlight set at 24mm
©TimeLine Media – Nikon Speedlight set at 24mm

This first photo has the flash zoomed out to 24mm. It is giving it’s largest spread of light against the wall. If you need to cover more area with the flash, this is will cover a wider area. This also corresponds to a wider area seen by a camera lens set at 24mm.

©TimeLine Media - Nikon Speedlight set at 70mm
©TimeLine Media – Nikon Speedlight set at 70mm

At 70mm, the light beam becomes more focused. There is not as much spread of light up and down from the flash. The more you zoom in with your lens, the less that you need the light to be spread out across the frame, so this only flashes what you need without worrying about the areas that are not going to be seen in camera.

©TimeLine Media - Nikon Speedlight set at 200mm
©TimeLine Media – Nikon Speedlight set at 200mm

Zooming Flash

The tight beam of light that comes from the flash at 200mm is the most extreme setting. If you are zoom out this far with your lens, there will be a corresponding small area that you need to iluminate that far from the camera. Having these options for you gives you creative possibilities to focus light. You can manually set the zoom on the flash apart from the focal length of the lens. This works well to create more dramatic portraits just by zooming the light you are already carrying! Try it next time and let me know how it goes.

©TimeLine Media - Racer suiting up
©TimeLine Media – Racer suiting up
©TimeLine Media - motorcycle action photo with zoomed flash head
©TimeLine Media – motorcycle action photo with zoomed flash head

TimeLine Media – www.timelinedc.com
703-864-8208

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