Archive of ‘Technology’ category

HDR photography

©TimeLine Media - HDR photography in Washington, DC

One of the first lessons I learned in photography was that cameras “see” much different from the human eye. If you look around a closed room, then out a window, not only does the eye focus much faster than any lens, but it can take in much more detail than you realize. This happens so quickly, that you do not even realize drastic light condition changes. With this in mind, HDR photography can render a scene closer to this.

High Dynamic Range Photography

When studying photography, you can see that you have to make compromises. In a high contrast scene, such as a bright sunny day, you cannot have a blue sky and shadowless subjects in the foreground without some help. You either have a beautiful sky with your subjects in silhouette, or dark shadow, or you have a completely “blown out” white sky with detail in your foreground subject. You do have some options if you want to manipulate the light such as flash or bouncing light to your subjects with a reflector, but I want to post today about another new option that has become popular with the advancement of computers – HDR or High Dynamic Range photography.

HDR is an option for shooting with the new iPhone 5. The idea behind it is to take multiple images of your scene. In a 3-image HDR, one of the images will be underexposed, one will be exposed properly as determined by your meter, and one will be overexposed. Here is an example from the FDR Memorial in Washington, DC. I took these during late morning – the sun was already high in the sky, and it was difficult to get both a blue sky in the photo, and to read the text on the memorial.

Washington, DC

©TimeLine Media - HDR photography in Washington, DC
©TimeLine Media – HDR photography in Washington, DC

In this first photo, the frame is overexposed but you can clearly read the text. The sky is bright white with no detail, and some of the cherry blossoms are washed out as well.

©TimeLine Media - HDR photography in Washington, DC
©TimeLine Media – HDR photography in Washington, DC

This is the correctly exposed photo using the Matrix Metering in my Nikon DSLR. It is the most even across the frame in terms of dark tones and light tones.

©TimeLine Media - HDR photography in Washington, DC
©TimeLine Media – HDR photography in Washington, DC

This is the underexposed frame – most everything is in shadow, only good detail in the sky and other bright parts of the frame. With these 3 images, you combine them in software. For this, I used Google’s Nik HDR Efex pro 2. The software stacks the images, and uses calculations to increase the dynamic range of light and dark tones in the photograph to get a better approximation of what your eye sees when you are standing at the memorial. Let me know it turned out! There are many plugins and other techniques to combine with HDR to make scenes look either more realistic, or surrealistic depending on your preferences. It is always nice to have options. Here is the final HDR photo –

©TimeLine Media - HDR photography in Washington, DC
©TimeLine Media – HDR photography in Washington, DC

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703-864-8208

Synchronize Photos – Tech Thursday

Synchronize files - Adobe Lightroom

Having multiple cameras on a shoot is a must for professional photographers. Your camera will only fail at the worst time! There is never a good time to have your equipment fail. However, if you are at a wedding, or covering an important dance performance, or VIP meeting, you want to make sure you have a backup on hand in case something goes wrong. Another reason is to keep your creative options open. Having two different lenses on the cameras allows you to get a variety of images from what is happening right in front of you.

Now that you have things covered with your equipment, you may now have another problem. Unless you and your assistants are diligent, the clocks on your cameras may not be set to the correct time. Will this be important? It depends on what you are shooting, and how your clients will be viewing the photos. In most cases, people like to view their photos in chronological order. On a wedding day, you want to see the day starting with preparations before the ceremony. From there you progress to the ceremony, then the reception. Having some reception photos while still viewing ceremony or portrait shots, make the presentation confusing. If you are photographing dancers, you want to make sure that all the photos from a heat are together. This is so the dancers can find all their photos together after the event.

If you are using the same camera brand, use a GPS unit like this one from Nikon – the GP-1. This can synchronize the cameras to get your location information as well as synchronize your camera’s clock to the GPS clocks. No more accurate way to get your times right!

Nikon GP-1 - GPS unit
Nikon GP-1 – GPS unit

If you have different cameras, you can line up all your cameras and take one photo at the same time. Then after the event, go back to these photos, and set the time for the photos from one camera to match the others. I do this in Adobe Lightroom where I do most of my editing, but this can be done in other metadata managing programs such as Photo Mechanic. In the Library module in Lightroom, select all the photos from a camera, go to the Metadata menu and select “Edit Capture Time”.

Synchronize files - Adobe Lightroom
Synchronize files – Adobe Lightroom

Here you can enter in a time that exactly corresponds with the time from another camera taken at the same time. Now, if you sort all the photos by capture time in the Library, they should all be organized chronologically. This has saved me lots of time in finding dancer photos from long events, and has helped to organize wedding photos for viewing. Hope this helps!

Synchronize files - Adobe Lightroom
Synchronize files – Adobe Lightroom

TimeLine Media – www.timelinedc.com
703-846-8208

Extreme Shutter Speed – Tech Thursday

©TimeLine Media - extreme high shutter speed

With Adobe Lightroom, it is very easy to sort your photos by all kinds of metadata. You can have the program show you photos that only meet certain criteria. Thus, you can gain some interesting insights into your photography. Very quickly, you can see what your “favorite” lens, camera, aperture, or shutter speed is just by looking at the raw numerical data. In college, I had a lot of training in reviewing scientific data, so having this metadata available for my photography is really cool!

Adobe Lightroom

This time, I have looked at the shutter speed of all of my favorite 19000+ photos that I have kept from all of my shoots since 2004. These two photos were examples of the highest shutter speed allowed by the Nikon cameras that I use. The first is a little expected – a kite flying by the overhead sun. This was at the kite festival on the National Mall which seemed appropriate for an American-flag flyer.

©TimeLine Media - extreme high shutter speed
©TimeLine Media – extreme high shutter speed

The second was a little more unexpected for me – a bride in an open field just after her wedding. It was a beautiful late spring day, and the sun was out, but I don’t recall it being that bright! There was some nice shady trees behind her, and behind me, so maybe that is what I am remembering. In looking at the Lightroom adjustments, this photo did not have to be “recovered” by pushing the Exposure slider either, so this is how the photo came out of the camera.

©TimeLine Media - extreme high shutter speed
©TimeLine Media – extreme high shutter speed

Shutter Speed

These next two show the slowest shutter speeds I have in my portfolio. This first one was exposed for 30 seconds. This is about the limit you can keep the shutter open before the moon and the stars start to lose their roundness, and start to smear light across the frame. Even with the long exposure, the photo needed to be pushed 1.5 stops higher in software to get it like this:

©TimeLine Media - extreme low shutter speed
©TimeLine Media – extreme low shutter speed

This last photo is the longest exposed photo in the collection – exposed for 1378 seconds – almost 23 minutes! I was attempting to make a star trail photo in the country. There were some clouds that moved through that you can see as the white streaks on the left. This was my only real attempt to do this as there is too much light pollution to do this near my home. Unfortunately, I did not get the North Star to center the photo, and there are too many sensor spots going through the trails to really show this on a larger scale. Guess I will have to try it again sometime. Take a look through your photos and see what lies at the extremes of your shutter speed scale.

©TimeLine Media - extreme low shutter speed
©TimeLine Media – extreme low shutter speed

TimeLine Media – www.timelinedc.com
703-864-8208

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