Posts Tagged ‘action’

Black and White Ballroom Dancers

Dancesport monochrome photo - ©TimeLine Media

Washington, DC

It is rare that I shoot ballroom dancing in black and white. For those that shoot RAW files with their cameras, it is possible to shoot in monochrome styles and preserve the color information in your images. What is displayed on the back of your camera is a JPG file. If you shoot to JPG files, there are many settings that the camera makes for you – sharpening, white balance, color saturation, that are more difficult to change once the settings are “baked in” to the JPG file. If you shoot RAW, all of these settings can be manipulated in the RAW processor/converter software afterwards. Adobe Lightroom or Adobe Camera Raw which is built into recent versions of Adobe Photoshop, are examples of these.

Ballroom dance monochrome photo - ©TimeLine Media
Ballroom dance monochrome photo – ©TimeLine Media

Black and White Images

Most digital cameras allow users to shoot monochrome images directly in camera. If you shoot to JPG, the color data from your image will be tossed out by the camera. It will be impossible to recover this color information. Similarly to shooting on black and white negatives on a film camera this information is not recorded. However, if you shoot to desaturated RAW files, the only file that will be black and white is the JPG preview that will be show on the back of the camera. The RAW file will still retain all the color information taken at the time of capture.

Ballroom dance monochrome photo - ©TimeLine Media
Ballroom dance monochrome photo – ©TimeLine Media

That being the case, you can easily go back to the RAW file and convert it to black and white in Lightroom, and possibly do a better conversion than your camera! The images in posting today were all captured in RAW files. Although it does take up more room on your memory cards and hard drives to do so, there are just so many advantages to shooting in RAW, that I cannot see myself doing it any other way. This color to black and white conversion is just one of the many reasons to do so.

Dancesport monochrome photo - ©TimeLine Media
Dancesport monochrome photo – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Chasing Photos – Tech Thursday

©TimeLine Media

Tysons, Virginia

Sports and photographing action or events share similarities in the way you approach achieving the end objectives. The one I am writing about today is chasing photos. A quarterback in football that is known as a “gunslinger” takes more chances when he passes the ball. He will pass the ball in more situations where there is a lower percentage of success. Or he may overthink or outsmart himself. The overestimation of his abilities will enable him to complete a pass that has a low chance of getting to where he wants it to go.

©TimeLine Media
©TimeLine Media

Being an action photographer, I have similar problems when doing a long event shoot. For ballroom dancing, there is no shortage of action to get in the frame. Sometimes, though, I “chase” photos. I think that I can get my long lens to frame up a composition that I know is coming up. I am not the most experienced ballroom dancer. However, I have seen more than my fair share of dancers. I think I can anticipate when a specific line is coming up, and when the dancers seem to be lining up perfectly with my perspective.

©TimeLine Media
©TimeLine Media

Chasing Photos

Much like a gunslinger, this approach to photography can yield spectacular results! Unfortunately, this can also lead to missing some easier shots that were right in front of me, but I missed because I was chasing another photo. What I do now is to mix my technique while shooting. Only after I am sure the guaranteed shots are in the camera do I start to go for more unconventional photos. It allows me more freedom to be creative after the documentary or standard shots are done. I feel like I have completed my job for my clients, now I can move to other photos that I will add to my portfolio for later. If only my favorite football teams could do this…

©TimeLine Media
©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Zoom Your Flash! – Tech Thursday

©TimeLine Media - motorcycle action photo with zoomed flash head

Of course you can zoom your lenses, but did you know you can zoom your speedlight flash? Depending on the model that you have, your flash head can be moved internally. On the Nikon SB-910, the flash head can be zoomed from 24mm to 200mm – a much larger range than their previous model, the SB-800 which had a range of 24mm to 105mm.

Speedlight Features

If you have this flash connected to modern Nikon cameras, the flash and the camera will talk to each other. They will automatically set the zoom of the flash to match the focal length of the lens that you are using by default. This is a great feature! As you use a longer focal length, the flash head will automatically zoom so that more flash power is given where you need it. Here are some example photos showing the difference in the light produced by the flash at different zoom lengths:

©TimeLine Media - Nikon Speedlight set at 24mm
©TimeLine Media – Nikon Speedlight set at 24mm

This first photo has the flash zoomed out to 24mm. It is giving it’s largest spread of light against the wall. If you need to cover more area with the flash, this is will cover a wider area. This also corresponds to a wider area seen by a camera lens set at 24mm.

©TimeLine Media - Nikon Speedlight set at 70mm
©TimeLine Media – Nikon Speedlight set at 70mm

At 70mm, the light beam becomes more focused. There is not as much spread of light up and down from the flash. The more you zoom in with your lens, the less that you need the light to be spread out across the frame, so this only flashes what you need without worrying about the areas that are not going to be seen in camera.

©TimeLine Media - Nikon Speedlight set at 200mm
©TimeLine Media – Nikon Speedlight set at 200mm

Zooming Flash

The tight beam of light that comes from the flash at 200mm is the most extreme setting. If you are zoom out this far with your lens, there will be a corresponding small area that you need to iluminate that far from the camera. Having these options for you gives you creative possibilities to focus light. You can manually set the zoom on the flash apart from the focal length of the lens. This works well to create more dramatic portraits just by zooming the light you are already carrying! Try it next time and let me know how it goes.

©TimeLine Media - Racer suiting up
©TimeLine Media – Racer suiting up
©TimeLine Media - motorcycle action photo with zoomed flash head
©TimeLine Media – motorcycle action photo with zoomed flash head

TimeLine Media – www.timelinedc.com
703-864-8208

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