Posts Tagged ‘Adobe Lightroom’

Creating Vignettes in Lightroom – Tech Thursday

Wisconsin State Capitol at dusk - ©TimeLine Media

When Adobe Lightroom first came on the scene, it added the ability to create vignettes. I saw many photos with the darkened corners. It was not until I installed the beta of the program that I saw why! This look stems from the technical deficiencies of old cameras. Some larger format cameras or older lenses were not as precise with their ability to transmit light to the edges.

Post Processing

Wisconsin State Capitol at dusk - ©TimeLine Media
Wisconsin State Capitol at dusk – ©TimeLine Media

Now, every image editing app from Instagram to Snapseed has a way to purposefully add vignettes to your photos. I saw a demonstration where Parker J. Pfister had extreme uses of vignettes in his photos that brought the darkness in much farther into the frame. Some of the darkening did not even follow a light fall-off pattern that an old lens would produce, but the images were stunning. The reason that this works is that your eye will be attracted to the brightest thing in the frame first.

Event Portrait - ©TimeLine Media
Event Portrait – ©TimeLine Media

In most cases, you will want the brightest part of the frame to be your subjects face if you are photographing a person. Sometimes it will be an object in the foreground that you would like to emphasize over the background. Adding a vignette is very easy in the Effects panel of Lightroom 5. After you make your crop, the Post-Crop Vignetting tool is used to darken the corners, and you can set how far into the frame you would like to darken. You can also set how much you would like the vignette to darken, and how dramatic a drop off you want that to happen. Be cautious that you do not over do it! Over darkening of these edges where it becomes too obvious can make it distracting for your viewers taking away from the overall impact of the image.

Studio Portrait - ©TimeLine Media
Studio Portrait – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Black and White Ballroom Dancers

Dancesport monochrome photo - ©TimeLine Media

Washington, DC

It is rare that I shoot ballroom dancing in black and white. For those that shoot RAW files with their cameras, it is possible to shoot in monochrome styles and preserve the color information in your images. What is displayed on the back of your camera is a JPG file. If you shoot to JPG files, there are many settings that the camera makes for you – sharpening, white balance, color saturation, that are more difficult to change once the settings are “baked in” to the JPG file. If you shoot RAW, all of these settings can be manipulated in the RAW processor/converter software afterwards. Adobe Lightroom or Adobe Camera Raw which is built into recent versions of Adobe Photoshop, are examples of these.

Ballroom dance monochrome photo - ©TimeLine Media
Ballroom dance monochrome photo – ©TimeLine Media

Black and White Images

Most digital cameras allow users to shoot monochrome images directly in camera. If you shoot to JPG, the color data from your image will be tossed out by the camera. It will be impossible to recover this color information. Similarly to shooting on black and white negatives on a film camera this information is not recorded. However, if you shoot to desaturated RAW files, the only file that will be black and white is the JPG preview that will be show on the back of the camera. The RAW file will still retain all the color information taken at the time of capture.

Ballroom dance monochrome photo - ©TimeLine Media
Ballroom dance monochrome photo – ©TimeLine Media

That being the case, you can easily go back to the RAW file and convert it to black and white in Lightroom, and possibly do a better conversion than your camera! The images in posting today were all captured in RAW files. Although it does take up more room on your memory cards and hard drives to do so, there are just so many advantages to shooting in RAW, that I cannot see myself doing it any other way. This color to black and white conversion is just one of the many reasons to do so.

Dancesport monochrome photo - ©TimeLine Media
Dancesport monochrome photo – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Working with Lightroom Catalogs – Tech Thursday

©TimeLine Media - US Capitol Building, Washington, DC

Adobe Lightroom is the best photo editing software available today. At this time it has support of all the major camera manufacturers and is best suited to handle professional RAW files from digital cameras. Many of my Tech Thursday articles have talked about working in the program, but I want to post today about the backend of working with Lightroom, specifically Catalogs. These are files that have the “.lrcat” extension. There are different strategies for working with these files, but I wanted to show you how I work with them to keep things organized, and to keep your hard work safe from potential data loss.

Catalogs in Lightroom

With this in mind, I create a new catalog file for every big event that I photograph. If it is a wedding, I will create a new catalog “brides_name__grooms_name.lrcat”, if it is a ballroom dance event, I will make a catalog “year_eventname.lrcat”. Afterwards, I will import only the files from each event into the catalogs, and work with them from there. There are some that will add every image from every shoot into one large catalog. With the metadata searching power of the Library, I can see the advantage of doing this. According to Adobe, there is no limit to the amount of photos you can have in one catalog – some have reported using catalogs with 800,000 images and more!

I separate my shoots into separate catalogs for 2 reasons. The first is that I have experienced catalog corruption when working with some Lightroom catalogs. In these cases, there was some data errors in the lrcat file which prevented the file from being opened! All of the edits from that event  with ~1200 photos were lost, and had to be redone. What if that were to happen in a catalog with 800,000+ photos! From then on, I have clicked the “Automatically write changes into XMP” under Catalog Settings so that if a catalog was corrupted, the work would be saved in the XMP sidecar files along with the RAW files, and the catalog could easily be recreated. Let me know if you have any tips with working on your Lightroom catalogs.

Enough with the geeky talk, here’s a pretty photo. The Capitol building will need major renovations which are scheduled to begin later this year. Here is a late afternoon photo before all of the scaffolding goes up. Enjoy!

©TimeLine Media - US Capitol Building, Washington, DC
©TimeLine Media – US Capitol Building, Washington, DC

TimeLine Media – www.timelinedc.com
703-864-8208

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