Posts Tagged ‘technique’

Metering with Flash

Ballroom dance photo - ©TimeLine Media

From the post about starting with flash, I did get a question about how this affects the camera metering. Great question! As a review, the meter in the camera measures the amount of light that is reflected off your subject. When you shoot in manual mode where you specify the aperture and shutter speed of your photo, the in-camera meter will tell you whether or not your settings will produce a good exposure. A good exposure is or an overall 18% gray image.

The computer in the camera does not know anything about the subject you are photographing. Moreover it does not know what you are attempting to do. So it takes all the data from dark to light that is coming into the camera, and it spits out a scale. Where on the scale it meters will show you what your current settings will give you. If you are in the minus side of the scale, your overall image will be dark. However, if you are on the plus side of the scale, your image will be bright. The question came in from a recent image I posted from a product shoot where I photographed the viewfinder with my iPhone, and the scale was all the way to the minus side! Were my photographs all too dark or underexposed?

Flash Setup

Nikon viewfinder during product shoot - ©TimeLine Media
Nikon viewfinder during product shoot – ©TimeLine Media

This is where you need to add the flash, and the meter that is built into the flash can take over. If you are using the through-the-lens or TTL metering of your flash, there is a pre-flash burst that fires as you hit the shutter button. In that small time, this burst will be enough information for the flash to take in the scene, like your in-camera meter, then dial in the right amount of flash to add for a good exposure. You do not have to do any calculations or adjustments, the speedlight will do all that for you! This is one of the reasons these small units are so powerful. In quickly changing circumstances such as a wedding reception, or indoor event, you can turn in different directions very quickly and keep making flashes without changing your settings before each photo.

Bar Mitvah photo - ©TimeLine Media
Bar Mitvah photo – ©TimeLine Media

Just like using your in-camera meter, however, there can be some drawbacks. Depending on what you have in front of your lens, you may get over-exposed or under-exposed photos. Again, the camera cannot make any decisions on how you are composing your photo. It just sees dark and light. This is the reason why there are so many flash bulbs that will fire at the start of American football games – the cameras in the stands just see that light needs to be added to the scene. Why will using flash in this instance not work at all? I’ll post about that soon!

Ballroom dance photo - ©TimeLine Media
Ballroom dance photo – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

Adding Light with Flash – Tech Thursday

Pet TTL flash portrait indoors - ©TimeLine Media

With the advances in digital photography, it is easier to explain how the camera calculates an exposure. Additionally, it is easy to visualize that a larger aperture opening will let more light into the frame, or a faster shutter speed will let in less light. Once you memorize that lower ISO values are less sensitive to light than higher ones, you have the basics of the “Exposure Triangle” mastered.

Flash Portrait

TTL flash portrait indoors - ©TimeLine Media
TTL flash portrait indoors – ©TimeLine Media

Getting photographers to start using flash is a difficult step. They start to freeze up. Almost as though they just put the camera back in Program mode again. They let the camera make all the decisions like they did when they first started taking photos. Just like the settings for Aperture, Shutter Speed, and ISO, working with flash can be straightforward. However, it does add another layer to the considerations when making images. I hope that through some posts, I can get you to experiment more with your flash. Hopefully you will learn how to control it to improve your photography. It will set you apart from “natural light” photographers that never add flash. There are many that choose to do this for artistic reasons, but do not be afraid to add this to your toolkit. You will be able to make images that are IMPOSSIBLE without the flash. If you have aspirations of photographing weddings, or events, you will need to use flash at some point in order to make images that grab attention.

Pet Portrait

Pet TTL flash portrait indoors - ©TimeLine Media
Pet TTL flash portrait indoors – ©TimeLine Media

In my previous post on flash, the settings on the speedlight were in the default TTL (Through-The-Lens) mode. This is the equivalent of the Program or P mode. The camera and flash work together to calculate how much light to add to your scene to get a good exposure. The computing power built into both ensure that you will get good exposures – and you can still control some of the aspects of the image. You can use TTL mode in Aperture priority so that you can set the depth of field in your image to keep that control over your composition. This is the first step – and likely you will get good results with the TTL settings on your camera. I’ll post how you can take control of this just as you do with your other settings in your camera to make even better images.

TTL flash portrait indoors - ©TimeLine Media
TTL flash portrait indoors – ©TimeLine Media

TimeLine Mediawww.timelinedc.com
703-864-8208

Ice Sphere – Product Photography

Ice Sphere - Product Photography - ©TimeLine Media

This was a nice gift my wife received this Christmas. From the moment I saw this, I knew it would be a nice subject for a product photography shoot, but it would be a challenge. This was my first attempt at it while the tree is still up. I think it is a good attempt, but looking at the images on the computer now, there are a few things that I will try next time. Here is my first exposure using no flash, and using the Aperture Priority metering in camera using a 105mm macro lens:

Ice Sphere - Product Photography - ©TimeLine Media
Ice Sphere – Product Photography – ©TimeLine Media

Product Photography

Because of the automatic metering, the camera makes the background lights the basis for the exposure. The lights are about right, but the glass with the ice is underexposed. With this result, I knew that I needed to add flash from a speedlight to bring a little life and sparkle to the subject. This should also darken the background, and make the lights separated, and a little more saturated.

Ice Sphere - Product Photography - ©TimeLine Media
Ice Sphere – Product Photography – ©TimeLine Media

This is a little closer to what I was going for, but what I noticed first was the bokeh. In the blurred background of the tree lights, there was such a distance between the subject and the background, that the lights are no longer circular, and are taking on a strange oblong shape. To make them a little rounder, I moved the camera away from the subject, so lessen the difference between the subject and the background with respect to the lens:

Ice Sphere - Product Photography - ©TimeLine Media
Ice Sphere – Product Photography – ©TimeLine Media

Now the lights are back to being round, and you can see more of their colors. On the plus side, the flash is not too overpowering on the subject. I decided that I still want to have the lights a little larger, so I moved halfway between my previous position and this one.

Ice Sphere - Product Photography - ©TimeLine Media
Ice Sphere – Product Photography – ©TimeLine Media

This was the best that I could get with this setup – the macro lens and one flash with the diffuser as the only modifier. Looking at the images now, I think I have one more idea to try. I think the background could be even darker. I’ll give it a try and post my results. Let me know if you have any ideas as to how to make this image any better.

Ice Sphere - Product Photography - ©TimeLine Media
Ice Sphere – Product Photography – ©TimeLine Media

TimeLine Media – www.timelinedc.com
703-864-8208

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